Academia de Guitarra en Castro Urdiales

Strymon

Strymon Orbit dBucket Flanger

Strymon Orbit dBucket Flanger

 

Modulation – Flanger

Beyond Your Classic Flange.

With the Orbit dBucket Flanger, we’ve painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, we’ve also added features such as through zero flanging to take you where few have ever ventured before. Our high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger.

Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you’ll never want to let go of your Orbit.

  • Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. Built on the dBucket building blocks developed for our Brigadier delay.
  • Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise
  • High performance DSP stuffed into a compact form factor
  • 3 LFO types (log, lin, through zero)
  • 3 Feedback types (positive, negative, pos/neg)
  • TRUE BYPASS (electromechanical relay switching)
  • Stereo output
  • Expression pedal input with selectable control over any knob parameter
  • Favorite footswitch for saving your favorite setting
  • Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA – (250mA recommended supply)
  • Premium analog front end and output section
  • No-nonsense user interface
  • Strong and lightweight purple anodized aluminum chassis
  • Crafted with love in the USA

 

See more in: http://www.strymon.net/

Strymon El Capistan

Strymon El Capistan

 

Delay – Tape Echo

Magnetic Monster.

When we decided to develop an effects pedal that delivers the sound and feel of our favorite tape echo machines, we knew we must relentlessly study and faithfully recreate every last nuance. We spent months in the Strymon sound design labs with an intense focus on capturing the warm, saturated, distinctive qualities of tape echo machines. The result is our hand crafted dTape™ technology. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

El Capistan provides three different tape machine types in one, each with three unique modes. With ten parameters to tweak, you get extensive control over tape quality, machine health and tone shaping. Go from the sound of a pristine, studio-quality tape machine to the heavily fluctuating sound of a machine in need of service. Get the full bodied sound of fresh tape all the way to the gnarled qualities of worn out tape. Because it’s DSP driven, you get a range of tape experiences unattainable with a traditional tape machine. All of this without the headaches of tape machine maintenance and repair!
 

 

See more in: http://www.strymon.net/

 

Strimon Flint Tremolo y Reverb

Strymon Flint Tremolo y Reverb

 

Tremolo & Reverb

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it’s way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.

Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details.

Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. You also get the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, and the nostalgic ’80s Hall Rack Reverb.

With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.

 

 

See more in: http://www.strymon.net/







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